Now in its 20th year, The Encounters South African International Documentary Film Festival celebrates the power of womanhood, reflected by the fact that over half of the 40 films selected have female directors and many focus on women who have made an indelible mark on history, from Thuli Madonsela to Vivienne Westwood.
The opening night film, coming just weeks after it won the Special Jury International Documentary Prize at Hot Docs, Toronto’s holy grail of documentary film festivals, is Whispering Truth To Power, human rights lawyer Shameela Seedat’s powerful breakthrough as a filmmaker. This vital film tracks Thuli Madonsela, South Africa’s first female Public Protector, as she builds her second case against erstwhile President Jacob Zuma. Through the story of Madonsela, her office and children, the film carefully navigates the major forces at play in South Africa today, charting various contested lines in the dual battle against corruption and inequality. “Post-apartheid South Africa has thrown out a messy and complex reality that we, here at home, are keen to confront,” director Seedat says. “I am keen to bring another type of African character to the international documentary audience. A strong, super-lawyer-woman in a position of power.”
From Ombud, mother, mediator and public hero to Westwood: Punk, Icon, Activist, video-artist Lorna Tucker’s first film, a definitive look at the life, fashion and activism of one of Britain’s most iconic and original designers. The film, which premièred to acclaim at this year’s Sundance, is a vibrantly entertaining yet intimate and poignant homage to Dame Vivienne Westwood, following her rollercoaster journey from failed housewife to outsider to leading designer and Green activist. With complete access to her private moments, it blends archive, beautifully crafted montage and insightful interviews with her fascinating network of collaborators - guiding us from a childhood in post-war Derbyshire to the runways of Paris and Milan.
Changing the history of British fashion required the strength of a woman; the 1956 march on the Union Buildings to protest the Pass Laws took 20,000. This is the starting point of Xoliswa Sithole’s Standing On Their Shoulders, which has its premiere at the festival after being a participant in Encounters Rough Cut Lab last year. Exploring the legacy of the women’s movement, it features the poignant presence of surviving member of the March’s organisers, Sophia Williams De Bruyn, leading the film’s reverential, inspiring and necessary message. Once the backbone of resistance, did women become invisible after South Africa’s transition and are the ‘Remember Khwezi’ and Fallist campaigns re-igniting the legacy of activists like Charlotte Maxeke?
Also receiving its world premiere will be Sisters of the Wilderness, Karin Slater’s inspiring film set in the iMfolozi, the oldest game park in Africa, where five young Zulu women from underprivileged backgrounds go for the first time in their lives on a journey of self-discovery, which offers them an opportunity to grow and heal, and serves as a reminder that we are intimately linked to nature and what we do to her we do to ourselves.
Another journey of self-discovery is found in Matangi/Maya/M.I.A., the fascinating fly-on-the-wall story of the British-Sri Lankan hip-hop star best known for her song Paper Planes, that featured in the film Slumdog Millionaire, earning her an Academy Award nomination as well as a Grammy nom in the same year. She also made headlines in 2012 for flipping the bird at the camera while performing for the Super Bowl's halftime show, invoking the legal wrath of the NFL. Building her career on a thrillingly mercurial blend of sonic experimentation, media provocation and impassioned political activism, she planned to be a documentary filmmaker. Close friend, director Steve Loveridge, uses archive material from the last 22 years, most of which was shot by Maya herself, to affectionately reveal in mash-up style how she uses pop music as a political mouthpiece while not shying away from being an outsider.
Not In My Neighbourhood is an explosive film that was born in Cape Town several years ago when filmmaker Kurt Orderson documented residents facing eviction in Woodstock and Salt River to make way for development and gentrification. The project grew and is a truly impressive piece of film activism. Over three years, Orderson followed the anti-gentrification and police brutality monitoring collective #copwatch in New York, the rise to power of real estate mogul Donald Trump, the Occupation movements in Sao Paulo and the legacy of Apartheid spatial planning to modern-day gentrification experienced by communities in Woodstock. Making connections through the inter-generational stories of people fighting for the right to their city, Not In My Neighbourhood takes the viewer on a journey into the everyday lives of these characters and how, daily, they experience and battle spatial violence.
Violence of another kind is confronted in the vivid and propulsive This Is Congo, photojournalist Daniel McCabe’s stunningly beautiful, brutally immersive and unfiltered look into the world's longest continuing conflict and those who are surviving within it. Through four compelling characters - a whistle-blower, a patriotic military commander, a mineral dealer and a displaced tailor - this award-winning film, that premièred in Venice last year and is the hot ticket on the festival circuit, captures a moment of time and, simultaneously, an entire history with blistering and tragic effectiveness.
Another current hot ticket on the DocFest circuit, which premièred to raves at this year’s Sundance, is The Price of Everything , Nathaniel Kahn’s brilliant and captivating look at how the art world was converted into a money market. The film has unprecedented access into the global demimonde of connoisseur/investors who, over the last three decades, have made the art market into a de facto stock market, complete with trading and flipping and commodities futures. The question that drives the market is, “Who’s the most undervalued artist?” The movie shows us how this plays out for two legendary artists who live on opposite ends of the continuum: Jeff Koons, the poster boy for art as a luxury brand, and abstract painter Harry Poons, whose stock dropped considerably after a successful period in the '60s.
On the other end of the spectrum, testament to the expansiveness of documentary as a genre and fresh from its world première at April’s Tribeca Film Festival, is Tanzania Transit. Jeroen van Velzen’s ruminative, captivating road movie follows three people finding their way, literally and figuratively, on a train journey across Tanzania. Each has already overcome considerable hardships, yet, in some sense, they appear unable to keep up with the fast-changing society around them. Van Velzen’s artful touches neatly encapsulate their experience, creating a narrow, train-window-sized view on class, nationality, ethnicity, age, and gender, and how those divisions combine or combust in the most compact of melting pots.
These are just a few of the highlights of what promises to be an invigorating celebration of Encounters’ 20 years of being at the forefront of non-fiction cinema. Other must-see films that will be featured this year include:
• Life Is Wonderful: Mandela’s Unsung Heroes: Through ground-breaking and never–before-seen interviews, the former English High Court Judge Sir Nicholas Stadlen throws light onto the extraordinary people involved in the Rivonia Trial – the court case that changed South Africa. Their stories and the stories of the anti-apartheid struggle show the power of people’s ideals to enable them to create the world as it should be, not accepting the world as it is
• Acclaimed South African filmmakers look into food and wine with Pluck! A Film Not Just About Chicken, Lloyd Ross and Joelle Chesselet’s funky investigation into Nando’s marketing campaigns, and Akin Omotoso’s penetrating and insightful The Colour of Wine, which shows the changing face of the South African wine industry
• Lots Of Kids, A Monkey And A Castle, a madcap masterpiece that overflows with affection, warmth and humour, about a highly dysfunctional but deeply loving clan. Spanish actor Gustav Salmeron steps behind the camera to capture the winsome eccentricities of his extraordinary mother Julita, who had three dreams: having lots of kids, owning a monkey, and living in a castle
For more information about the complete 2018 programme, please consult our website, www.encounters.co.za.
Filmgoers are encouraged to celebrate the documentary with Encounters from 31 May -10 June in Cape Town at the Labia , the Nouveau V&A Waterfront and Bertha Movie House, Isivivana Centre in Khayelitsha and, in Johannesburg, the Bioscope and the Nouveau Rosebank.